Analysis Of The Black Cat And Frankenstein - 1750 Words

In horror, the most fascinating and complex relationship is found between the protagonist and the â€Å"other.† The protagonist is the leading or major character in a literary work. They are at the centre of the story, make the major decisions and therefore suffer the consequences of those decisions. In an era of racial tension and ever growing disparity between the wealthy and poor, horror seems to use these powerless groups in its narratives. These groups are called the â€Å"other.† The â€Å"other† are those who do not have the power of the establishment or those with less power. They are repressed and forced into submission by the establishment. This creates conflict as the marginalized â€Å"other† seek to change the system to benefit them. Two great literary works that illustrate the dynamic between protagonist and â€Å"other† are The Black Cat and Frankenstein. In The Black Cat the protagonist is an unnamed man who abuses his cat representi ng the â€Å"other† in his life. Gouging out his cats eye and hanging his cat ends up brining about his demise at the hands of the â€Å"other.† This demise is the result of the cat becoming part of the establishment and the narrator moving away from it. The iconic novel Frankenstein tells the story of the protagonist, Victor Frankenstein and his relationship with the monster he creates, representing the â€Å"other.† The consequences of Frankenstein pushing the monster away from civilization and treating it like Satan end up killing Frankenstein and those he lovesShow MoreRelatedHorror Genre Dissertation6741 Words   |  27 PagesCabinet of Dr Caligari (1919) and F.W.Murnau’s Nosferatu (1922). In the 1930’s production was being dominated in Hollywood. The films being created took influence from the German Expressionism era and put real focus on the villain as a monster. Frankenstein in 1931 by James Whale and Tod Browning’s Dracula also in 1931 were the main films out at the time made by Universal Pictures. These films are often used to prove the link between horror and the relatively respectable tradition of Gothic literatureRead MoreMasculinity in Chuck Palahniuks Work7062 Words   |  29 PagesMachiavellian and self-serving wars, have rendered men yearning for integral and worthy of emulation, male role models.2   Mendieta’s analysis of Palahniuk’s work takes a very direct approach in margining masculinity in crisis, directly blaming culture itself. I believe that Palahniuk’s characters are not victims of society’s emasculating effects, but subject to their own self-analysis.   What truly interests Palahniuk is the nature of man in response to this.   Palahniuk’s concern is not that men are no longerRead MoreLogical Reasoning189930 Words   |  760 Pageslooking at alternative actions that can be taken, then considering the probable good consequences of each action and the probable bad consequences while weighing the positive and negative impact of each consequence. It’s a kind of cost-benefit analysis. Exercises 1. Columbus Day is an American holiday. Write a short essay that weighs the pros and cons and then comes to a decision about whether there should be more or less public celebration (by Americans and their institutions) on ColumbusRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesPhenomenology of the Narrative, 16 II Problems of Film Semiotics Chapter 3. Chapter 4. Chapter 5. The Cinema: Language or Language System? 31 Some Points in the Semiotics of the Cinema, 92 Problems of Denotation in the Fiction Film, 108 III Syntagmatic Analysis of the Image Track Chapter 6. Outline of the Autonomous Segments in Jacques Rozier s film Adieu Philippine, 149 Chapter 7. Syntagmatic Study of Jacques Rozier s Film Adieu Philippine, 177 vii viii CONTENTS IV The Modern Cinema: Some Theoretical